Josephine Baker in her Follies Bergeres “pearl and feather costume.”
A classic image of “la Josephine” in her famous Follies Bergeres pearls and feathers costume. This image was on the 1927 program for the Follies, and it is quite likely that she either posed for this or sketches were made from life for it.Learn more ›
Midsummer, 1910, and nothing is sexier than watching those Magnificent Men in their Flying Machines from the top of the Église St-Pierre, in Caen. Over 60,000 spectators a day took in the spectacle (though few, supposedly, from this vantage point), which included “competitive events between ‘civilians’ and ‘servicemen'” (Affiches d’Aviation, p. 57) in hot-air balloons and rudimentary flyers in the infancy of the aviators’ age.Learn more ›
An elegant 1926 study in contrasting graphic styles. Charles Loupot’s nibbler– all geometric contours, smudged tones, and Modigliani neck– becomes a fantasy of taste above and beyond the chocolate bar wrapper.Learn more ›
Hans Bohrdt was a self-taught painter specializing in maritime subjects and became so good at it that the last German kaiser named him his official art consultant on state trips. He executed posters for the Hamburg America Line, the Norddeutscher Lloyd, the Belgian Red Star Line and others. Here, for Cunard, we have a nameless liner in a low-angle frontal view, parting the waves at a good clip.Learn more ›
Although this poster for a Carnival evening promotes an appearance by Edith Heinemann, the master violinist, artist Ernst Böhm instead chose to illustrate a stylized masked harlequin. Heinemann, more widely known by her maiden name Lorand, was a Berlin-based violin virtuoso whose 20-year career on the Viennese stage endeared her with the titles of “Queen of the Waltz” and the “Female John Strauss”.Learn more ›
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